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"She had made up her mind that you would be insupportable, and she couldn't forgive you because you weren't," says that astute young man, with calm conviction. "Don't you be taken in, Mona." "Oh, not yet!" entreats faithful Mona, in a miserable tone; "not yet. Remember what I said. I promised to remain with him until the very end." because your part of it takes care to make itself heard.".

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It seems such a direct running commentary on Mona's supposed ill deed that every one—as by a single impulse—looks up. Nolly and Jack Rodney exchange covert glances. But for the depression that reigns all round, I think these two would have given way to frivolous merriment. "I mean that she shall remain just as she is. The world may be 'given to lying,' as Shakspeare tells us, but I will not have Mona tutored into telling fashionable falsehoods," says this intrepid young man facing his mother without a qualm of a passing dread. "A lie of any sort is base, and a prevarication is only a mean lie. She is truthful, let her stay so. Why should she learn it is the correct thing to say she is not at home when she is, or that she is suffering from a foolish megrim when she isn't? I don't suppose there is much harm in saying either of these things, as nobody ever believes them; but—let her remain as she is." "Tell me about your mother," she says, folding her hands easily in her lap. "I mean,—what is she like? Is she cold, or proud, or stand-off?" There is keen anxiety in her tone. OLD MAN STORIES.